There’s a new recording studio in Berlin, one made for artists by artists, set up by Cameron Laing and Jaime Molleda. First with his bands Quixote and Bunny Suit and nowย under his own name, Cameron has been active on the Berlin scene since he arrived five years ago. He’s now signed to Universal,ย but wanted to have a recording space set to his own high standards, a place for artists to come and feel at ease and take the time to produce their best work. We talked to Cameron and co-conspirator Jaime last week.
I was living withย my band on a houseboat in London, which was slowly sinking
indieBerlin: So Cameron, what brought you to Berlin?
Cameron Laing: I was living withย my band on a houseboat in London, which was slowly sinking…at some point they decided it was too dangerous and sold it, which meant we had to leave. And that was kind of the kick, so we upped and headed off to Paris and landed in this terrible hostel, surrounded by gangs, quite a dangerous place – which is where I met James here.
Jaime Molleda: Yup.
Cameron Laing: And that was six weeks in Paris, quite dodgy, and one day I went down to the bus station, I looked at the bus timetable and I saw a bus going to Berlin, so took it, I turned up and started busking, a guy from a German pop band heard me and asked me to do some vocals for a record he was doing with Universal, and offered me his flat to live in, so it was a bit of a no-brainer. I didn’t like Paris and Berlin seemed different. James came a couple of weeks after me, we stayed, and after having had the experience of working with Universal writers and staying in this flat, it seemed a good idea to get the band over to join me and we resurrected things here and decided to try and make a proper go of the Berlin life.
I mixed and worked on my own music for over ten years and worked with a variety of producers and never was really satisfied with the results
indieBerlin:ย What made you decide to open a studio?
Cameron Laing: I mixed and worked on my own music for over ten years and worked with a variety of producers and never was really satisfied with the results, working huge projects with hundreds of channels and sending it to a producer and hope that they would understand what all the chaos was meant to be.
And if you’re going to do your own production you have to have your own place to work, so after years of struggling – I mixed one album on a laptop on the dashboard of a bus I was living in next to Checkpoint Charlie – so I was trying to find a place where you could work in a professional way. It took years of searching, and finally I found this place, which is perfect.
You can make noise twenty four hours a day
Jaime Molleda: You have two hundred ateliers mostly for sculptors and artists, so there’s some people in the creative business who are not noisy, and there are a few studios down here, but they’re nicely spread so that no one’s interfering with each other. So you can make noise twenty four hours a day, renovate and build things, no stress, so we could sculpt the room into the room that we want and not receiving interference from any neighbours and stuff.
Cameron Laing: And I realised that with some fairly extensive investment it could be a real recording studio, where I would have access to everything every day, and rent it out to artists at an affordable option for recording professional records.
indieBerlin:ย What makes this studio different?
Cameron Laing: The main reason that people have been booking the studio is that we’re musicians and songwriters, and composers, and creative producers in theย sense of we’re working on things, trying to be original, instead of working to a timeline, while trying to be professional. The experience that we’ve built, and the attitude that we have, it’s for artists by artists. We have maybe a bit more energy and enthusiasm.
We have an old antique pump organ, an old tape-cassette-oriented one too, obivously a piano, a great one, a lot of vintage amps and stuff, lots of extremely good mics and pre-amps
indieBerlin:ย What kind of servcies can you offer bands?
Cameron Laing: Full body massages, that kind of thing…
Jaime Molleda: Well you can record a drumkit and everything else, drumkits sound great in here. It’s the only studio where we’ve ever used the room mics in the mix, and it just sounds like drumkit in a room, how you’d imagine it.
So we can do full album recording services, multitracking instrument by instrument, we have an old antique pump organ, an old tape-cassette-oriented one too, obivously a piano, a great one, so we offer a range of acoustic instruments, a lot of vintage amps and sutff, so multitracking for a full band production is an obvious one, but we also do a lot of live recording, especially for live videos, because the room is decorated in quite an ambient way.
Cameron Laing: So people also sometimes book the place because it looks really nice. We’ve had jazz bands in here, we’ve had rock bands, singer-songwriters, we’ve had seventies garage rock.
indieBerlin: Does having been a songwriter yourself – writing both for yourself and others – give you a particular take on the recording process?
Cameron Laing: Definitely. Of course the more you work for other people and the more different genres that you work in the more experience you get and the more you learn, and it also takes you out of your comfort zone. So you canโt just keep repeating the one thing, the same little set of tricks, it forces you to think outside the box, so yeah, itโs definitely a huge learning curve. Itโs taught me a lot about arrangements as well, focusing less on how big the arrangements can get but more on how beautiful the individual components can be.
Jaime Molleda:ย With different people coming in every day you get a lot of chances to try out different mic combinations and so on and see what works best for the individual situation.
indieBerlin:ย If someone comes in with, say a 95 % finished thing, do you offer something like where you help put it in a certain direction orโฆ.?
Cameron Laing: Yeah, of course. Most people actually come here with the foundation of a song and want us to actually do an arrangement for them. So itโs often we take the bare bones of a song and try and get inside their heads as much as possible, and spend time listening to everything theyโve been listening to recently and try to reabsorb everything that inspired them, and find our own way of translating that into something that is going to be within their taste but a little bit special.
indieBerlin:ย So itโs not like a one-size-fits-all kind of deal.
Cameron Laing: No, itโs completely a bespoke thing. But back to the question of working as a songwriter, itโs also the other way around of course, being an artist inspired the idea of setting up a studio. When I was younger and going to studios and booking three days and having an engineer, thereโs a lot time pressure.
You know that okay, on the third day I need to do the vocals, and youโre tired from working and sleeping in the studio for three days and being involved in every process, youโre maybe not in the mood to sing and youโre physically exhausted and your voice is maybe not at its best, you know that youโve got eight hours to get it done, three takes and thatโs it, gotta move on, gotta move onโฆ.
It was much more enjoyable to work in this other studio in Wedding, we had a day each week so we could say, okay, if itโs not working today then we can do it next week, take a walk and clear your head instead. And thatโs why here, we offer artists open-ended days where we can be as flexible as we possibly can. As long as weโre still standing and our objectivity is still there we can 14 hour days if we need to and offer the artist a much more comfortable experience.
indieBerlin:ย So: Why the weird name? Whatโs the story behind it?
Cameron Laing: Well…my dad died recently and left me this (points to the gold watch on his wrist). It never works properly although I didnโt know that when I took it, for a while it was getting slower by five minutes each day, which after five or six days is quite a big difference, but it happens slowly so you donโt realise it.
Which resulted in more than one experience of coming extremely close to missing planes. When youโve been drinking all night in London and you wake up hungover and have to run back to the pub to pick up your suitcase and run in a total panic through the streets, and suddenly you realise that itโs not the time you thought it was and actually youโre much later than you thought you wereโฆ
The watch was also stolen by a group of guys in Berlin at the Mayday Carnival, they’d approached me trying to sell me coke and then noticed the watch and popped it off my wrist as they segregated off my friends.ย I went to the police, because obviously itโs very personal to me, and I didn’t want to lose it. but they refused to help, and said Iโd have to go and file a report, even though you could more or less see the guys who stole it just across the roadโฆ
I was with Jaime, and he’d had a lot of experience with pick pockets and thieving bastards in Paris, so he just went over to the group of guys and got it back without any fuss. As soon as they saw him they recognized he was part of my group and for them, giving it back is much easier than the hassle it causes them if the police actually did get involved, so they just handed it over.ย Obviously I was extremely grateful and figured later the idea kinda popped into my head that the watch was a nice tribute both to my Dad, and something relevant to James and I, without being too obvious or too cheesy.
Having this kind of Fantastic Mr. Fox inspired name also appealed
Cameron Laing: Yeah, It was one of those ridiculous moments, I thought Iโd lost my dadโs watch, obvoiusly itโs a very personal memento, it had a lot of importance for me. So when we came to the name we wanted something that had some significance for us both, and not just call it like Hedgehog Studios or whatever…
Anyway. When we came to build the studio…while I designed it, James did all the construction, and it has a slightly fairytale vibe to it. And having this kind of Fantastic Mr. Fox inspired name also appealed. And so we thought, rather than going so personal that itโs a bit obvious, itโs a nice tribute to my father, and to James, and also to me, and calling it The Famous Gold Watch – which everyone calls it, rather than the official name, The Curious Story of the Famous Gold Watch made it sound a bit more fairy tale…
indieBerlin:ย Yeah, I find it really cool because itโs such an unusual name for a studio. Should stick in peopleโs mindsโฆ
Cameron Laing:ย Yeah, they probably wonโt remember all the words but likeโฆ.hmmm…something about a gold watch or somethingโฆand then itโs easy to find.
But Iโm not trying to create a typical studio that looks and sounds like a typical studio…but a creative workspace. Weโre doing it so that the prices are affordable.
Thereโve been people that came thinking they wanted to take one or two days but then took a few extra days…or wanted to come in a couple of days before to sit and finish writing the songโฆ.sit on the sofa, lie on the floor, listen to some records….It means they can be inspired and not walk in and go, right, take one, take two, letโs go…Itโs an artistic space and not just a functional space.
indieBerlin:ย So you havenโt done any advertising yet but youโve had some people in alreadyโฆ.
Cameron Laing: Yeah, just through word of mouth. A few people came in and then recommended it to their friend. Weโve had one client here who recommended it to the boss of a record shop that she knows and works with, so now heโs taken two days every month…the video shoot with James Clayton, that came through Ben (Wuyts, who has also recorded here)…so far itโs pretty much all word of mouth. Queax Queax Jones recorded a live session here, which should be available as a video hopefully next month.
indieBerlin:ย Why Weissensee?
Cameron Laing: Well – Iโve been in Berlin for six years, Jame as well, here and back in the UK and now here again, and so I do spend a lot of my time away, Iโm not here as a proper Berlin resident but Iโve lived in Kreuzberg, Iโve lived in Lichtenberg, Prenzlauer Berg, and there just comes a point when Iโm old enough now to feel like I can take a train if I want to go drinking and go to a party zone, but to live and work in a quieter area every day is nice. This building (European Creative City) is amazingโฆ.We have a farmโฆ
In the hof, there are sheep, goats, peacocks, rabbits, chickens…
indieBerlin:ย A farm?
Jaime Molleda: Yeah, in this place, in the hof, there are sheep, goats, peacocks, rabbits, chickens…and thereโs lakes and forests all around, and here thereโs a private cafe, beach area to chill out and make bonfires. Itโs just funny to go to the garden and take a lunch break and be headbutted by a goatโฆ
indieBerlin:ย Yeah, firstly it must be good to be just a little bit out, so itโs not just noisy outside, and the temptation of things going on the whole time. And I mean you have farm animals outside and everything but youโre still right in the cityโฆ
Cameron Laing: Thatโs the thing, people always think Weissensee is far out but itโs 15 minutes to Alexanderplatz, on a bike itโs 20, Prenzlauerberg is the next district, itโs actually not far at all, so youโre out of the hustle and bustle and can have a space like this but youโre still close to your big artist network, plus huge gardenโฆ
indieBerlin:ย And plentiful parking outsideโฆ
Cameron Laing: Exactly! Not so usual for Berlin, plenty of parking in the hofโฆ
indieBerlin:ย Special pieces of equipment?
Cameron Laing: We have a lot of lovely lamps…thereโs the lightsabre micโฆ.I think the wallpaperโs quite special…the pianoโs being restored but itโs really amazing, sounds magnificentโฆthereโs also this lovely old vintage guitar amp made by a company called Akoustic who were famous for making bass amps essentially, but in a nice way, which is great.
But, also microphones and preamps…we have the Neve 1073s…which is the preamp in history…I mean thereโs millions of preamps but the Neve 1073 is the one thatโs been copied a million times, and weโre lucky enough to have the original here. Mics: We have the ribbon Royer 121, the lightsaber, sounds fantastic, and the Neumanns sound fantastic, itโs a really nice, small but really nice collection…
indieBerlin:ย And how does the work balance break down between you and James?
itโs a nice balance having had experience with working with studios and good mics and orchestras and drumkits or whatever and then having someone who has such a good ear for the fine details.
Jaime Molleda: Well, we both do almost everything, but I think I contribute more to the acoustic side of things, Iโve been an acoustic musician all my life..
Cameron Laing: Yeah, before we started the studio I had heard some of Jamesโ acoustic recordings, flutes, acoustic guitars, violins, what have you, and he always got an extraordinary sound with very basic equipment, just like an SM57 and a cheap soundcard, mic going straight in with no preamps and still making the thing sound amazing, you know. And itโs a nice balance having had experience with working with studios and good mics and orchestras and drumkits or whatever and then having someone who has such a good ear for the fine details.
Jaime Molleda: Making things sound natural.
Cameron Laing: Yeah, because itโs actually very hard to make things sound natural, mics donโt behave in the way that you think.
indieBerlin: Thanks for chatting. That’s all we have time for.
Cameron Laing: Typical. I was just getting warmed up.
indieBerlin: How do people get in touch about using the studio?
Jaime Molleda: We don’t have a website yet but we have a Facebook Page, mail us on famousgoldwatch at gmail.com or phone onย +493092409054.
Interview by Noel Maurice | Photos by Agathe Danon